ROYAL WORCESTER=SMALL VASE=ROSES=FLOWERS=FLORAL=JAMES HADLEY=1908=162 H=Signed.

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Item: 204206381882

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Style:Edwardian
Original/Reproduction:Vintage Original
Pattern:ROSES
Object Type:Vase
Color:Ivory
Royal Worcester:Royal Worcester
Type:Vase
Theme:Flowers
Subject:Rose
Year Manufactured:1908

ROYAL WORCESTER 1908 = JAMES HADLEY = ARTIST ROSES. IVORY GROUND SMALL VASE !!!!! 113 years old !!!!! THE WORCESTER GREEN MARK / STAMP DATES to 1908 {6 dots left, 6 dots right & 5 under circle} Shape number = 162 H Signed “JH”. MADE IN ENGLANDJames Hadley. Royal Worcester Artist – James Hadley (1837 – 1903) In the 1850s James Hadley was apprenticed to Kerr & Binns of Worcester. He worked in the modelling department with Edward Locke and the young Thomas Brock. By 1870 James Hadley had become the principal modeller at Royal Worcester porcelain. In 1875 he left the Worcester factory and set up his own modelling studio at 95 High Street, Worcester. Hadley is reputed to have sold the complete output of his factories ornamental vases and figures to Royal Worcester and he inscribed his name on the base of his master models. In 1895 Royal Worcester cancelled James Hadley’s contract due to a drastic drop in the demand for elaborate luxury goods. Hadley then rented some factory space from his old friend Edward Locke, who had set up his own works at Shrub Hill, Worcester. In 1897 with the support of partner Frank Littledale, Hadley started to build a factory in Diglis Road, Worcester using land owned by his family. When complete, early production concentrated on decorative art pottery with monochrome decoration and terracotta plaques. James Hadley porcelain wares were made using coloured clay mouldings in dark blue, green and brown which distinguished them from similar objects made by the Royal Worcester factory. James Hadley employed a group of young talented artists including; William Jarman, Walter Powell, Arthur Lewis, Walter Sedgley, Albert Shuck, Kitty Blake and Mary Eaton, to paint peacocks, game birds and flowers in a subdued palette. Softly painted roses in full bloom, were painted in the Hadley style. They later came to be known as Hadley Roses by collectors of Royal Worcester porcelain. In 1900 Hadley & Sons became a limited company with shares held by James and his four sons, Louis, Howard, Harry & Frank and Frank Littledale. In 1901 Royal Worcester tried to prevent Locke & Co. and Hadley and Sons Ltd. using the title ‘Worcester’ on their ceramics. The case against Locke was taken to the High Court with the agreement that the finding would also apply to James Hadley. In July 1902 the court ruled against Locke and Hadley agreed to clearly distinguish his goods from the goods of the plaintiffs. Hadley began using a new mark with a ribbon enclosing the words, Worcester, England. In June 1905, after James Hadley’s death, Royal Worcester purchased the Hadley factory for £7500. Until march 1906, Worcester continued to produce wares at Hadley’s Diglis Road premises using the Royal Worcester mark with the additional word Hadleyware. After march 1906 the workforce, moulds and designs were moved to the main Royal Worcester site in Severn Street. Royal Worcester continued production of James Hadley’s designs … but the letter H was added to the Royal Worcester shape design number on the underside of the pieces. Dimensions = Widest 80 mm = Height to rim = 78mm We meticulously inspect each piece, and describe as thoroughly as possible the exact condition. I ask you to email me with your questions if there are any matters that are of concern to you regarding this item. In very good condition with no chips, cracks, crazing, repairs or restoration. The shape number on the bottom seems to have been scratched out and re-written with a hand inscribed number. Maybe done during manufacturing / decorating? Could someone provide more details? Among the most popular of the English porcelain factories among collectors is Royal Worcester. The Worcester porcelain company was founded in 1751. The First Period of Worcester (1751-76) is sometimes called the Dr. Wall period after John Wall, one of the founders and major shareholders. During this period, Worcester was using the formula for soft paste porcelain which was obtained when they took over Lund’s Bristol Porcelain works in 1752.Worcester also introduced the use of transfer printing on porcelain in 1757, which reduced the need for hand painting which was time consuming and expensive. In 1783 Thomas Flight purchased the factory for his sons Joseph & John. This period led to a change in the porcelain paste used, achieving a much better, whiter body. The style of decoration during this period became much more neoclassical in style. In 1793 Martin Barr became a partner in the firm. As the partnership changed so did the names, Barr, Flight, Barr (1807-13), Flight Barr, Barr (1813-40). In 1840 Worcester amalgamated with the Chamberlains’ factory, also located at Worcester, but still producing from both works. Worcester eventually moved its entire operations into the more up to date Chamberlain’s factory in 1847, becoming known as Chamberlain’s Worcester. In 1852 W.H. Kerr joined the firm, which was renamed Kerr & Binns. In 1862, it was renamed the Royal Worcester Porcelain Company, and more everyday works were produced. In 1976 the company merged with Spode and the company reduced its staff from 2003 to 2005, with the company going into administration in 2008 and then ceasing trading in 2009. The trading name and brands (including Spode), but not the factories in Stoke-on-Trent, were acquired by Portmeiron Pottery Group. Sold as seen in the images. Images form part of the description.*** Please feel free to ask questions ***+++ Thank you for viewing our items +++

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